1 00:00:00,000 --> 00:00:00,000 [BISHOP] We are gathered together here in the sight of God 2 00:00:00,000 --> 00:00:00,920 and in the face of this congregation 3 00:00:01,000 --> 00:00:04,520 to join together this man and this woman in holy matrimony. 4 00:00:04,600 --> 00:00:08,560 ♪ Princess ♪ 5 00:00:09,440 --> 00:00:12,440 [BISHOP] Instituted of God in the time of man's innocency, 6 00:00:13,000 --> 00:00:14,200 signifying unto us 7 00:00:14,960 --> 00:00:18,320 the mystical union that is betwixt Christ and his Church. 8 00:00:18,400 --> 00:00:22,080 Therefore, it is not by any to be enterprised, 9 00:00:22,160 --> 00:00:26,600 nor taken in hand, unadvisedly, lightly or wantonly, 10 00:00:26,960 --> 00:00:30,080 to satisfy men's carnal lusts and appetites, 11 00:00:30,160 --> 00:00:33,080 like brute beasts that understand nothing. 12 00:00:33,840 --> 00:00:37,480 But reverently, discreetly, advisedly, 13 00:00:37,560 --> 00:00:40,360 soberly and in the fear of God. 14 00:00:41,160 --> 00:00:46,280 Duly considering the causes for which matrimony was ordained. 15 00:00:46,360 --> 00:00:51,960 ♪ And now I've crowned you ♪ 16 00:00:52,040 --> 00:00:56,280 ♪ My princess ♪ 17 00:00:56,360 --> 00:00:57,360 [CAMERA WINDING] 18 00:00:57,440 --> 00:01:00,760 ♪ Though there's nothing in a name ♪ 19 00:01:00,840 --> 00:01:02,880 [CAMERA SHUTTER CLICKING] 20 00:01:05,280 --> 00:01:10,880 ♪ Others would've sounded ♪ 21 00:01:10,960 --> 00:01:14,720 ♪ Pretty tame ♪ 22 00:01:14,800 --> 00:01:20,200 ♪ If you were poorer... ♪ 23 00:01:20,800 --> 00:01:25,520 ♪ I could be no surer ♪ 24 00:01:25,600 --> 00:01:26,626 [CAMERA SHUTTER CLICKS] 25 00:01:27,080 --> 00:01:31,560 ♪ That you're a princess ♪ 26 00:01:32,960 --> 00:01:38,280 ♪ May I call you princess? ♪ 27 00:01:39,200 --> 00:01:41,920 ♪ If you say you love me ♪ 28 00:01:42,000 --> 00:01:43,760 [BEATON] That's absolutely charming. Thank you very much. 29 00:01:43,840 --> 00:01:46,600 Very, very fresh. Full of vitality, thank you. 30 00:01:46,680 --> 00:01:49,320 And we're going to do another one when we're ready, and... 31 00:01:49,920 --> 00:01:52,680 Colin, chin down a little bit. Very much down a little bit. 32 00:01:52,760 --> 00:01:56,160 - Thank you. To me, everyone, and flash. - [CAMERA SHUTTER CLICKS] 33 00:01:56,240 --> 00:01:58,920 - [ALL] The bride and groom! - [MARGARET] The bride and groom. 34 00:01:59,000 --> 00:02:01,360 [GUESTS CLAPPING] 35 00:02:01,440 --> 00:02:02,320 [ORCHESTRA PLAYING] 36 00:02:02,400 --> 00:02:04,160 Bloody awful things, weddings. 37 00:02:04,880 --> 00:02:08,800 - Dreadfully upsetting. - Unless it's one's own, of course. 38 00:02:09,480 --> 00:02:10,920 [BILLY] Mm. [EXHALES] 39 00:02:12,200 --> 00:02:14,080 Another couple off to build a castle. 40 00:02:15,000 --> 00:02:17,200 Lower the portcullis. Pull up the drawbridge. 41 00:02:17,680 --> 00:02:20,480 - What? How do you mean? - Couples do that, don't they? 42 00:02:21,280 --> 00:02:24,280 They turn to each other, and all we see is their backs. 43 00:02:26,000 --> 00:02:27,680 So, what am I to do, Billy? 44 00:02:30,720 --> 00:02:33,160 No one wants to take me on, apparently. 45 00:02:35,200 --> 00:02:37,080 I'm too daunting a prospect. 46 00:02:38,600 --> 00:02:39,840 I could give it a go. 47 00:02:41,160 --> 00:02:42,760 Don't be silly, you're a friend. 48 00:02:44,120 --> 00:02:47,160 Yes, but isn't that the first quality one should look for in a husband? 49 00:02:48,040 --> 00:02:49,880 In the olden days, people weren't confused. 50 00:02:50,560 --> 00:02:54,680 People married for sensible reasons. Marriage was a consolidation of assets. 51 00:02:56,040 --> 00:02:57,240 Also of other things. 52 00:02:59,000 --> 00:03:02,400 - Of friendship and values. - [SCOFFS] 53 00:03:03,520 --> 00:03:04,400 Outlooks. 54 00:03:07,680 --> 00:03:11,560 We'd breed derby winners, have an army of children... 55 00:03:12,160 --> 00:03:14,760 - Billy... - Look, and I'd know the ropes. 56 00:03:15,560 --> 00:03:20,080 I know the rules. Your family all know me, and I think are not averse. 57 00:03:21,840 --> 00:03:23,960 - Oh, they adore you. - And I you. 58 00:03:26,840 --> 00:03:27,903 Always have. 59 00:03:30,280 --> 00:03:32,000 I'm your Old Faithful, after all. 60 00:03:49,680 --> 00:03:51,760 - [MUSIC CONCLUDES] - [GUESTS CLAPPING] 61 00:03:51,840 --> 00:03:53,320 [CHUCKLES] 62 00:03:57,120 --> 00:03:58,160 [SIGHS] 63 00:04:03,520 --> 00:04:06,080 [ELIZABETH] Mummy said something interesting the other day. 64 00:04:07,120 --> 00:04:09,000 - Oh? - [SIGHS] 65 00:04:09,720 --> 00:04:13,480 She said that the first ten years of marriage are just an overture. 66 00:04:15,760 --> 00:04:18,663 That there's often a crisis at ten years, 67 00:04:18,688 --> 00:04:20,944 but then you work it out and settle in... 68 00:04:23,200 --> 00:04:26,560 and it's only then that it really gets into its stride. 69 00:04:26,880 --> 00:04:27,760 Oh. 70 00:04:30,920 --> 00:04:32,640 Do you suppose that's what's happened to us? 71 00:04:35,120 --> 00:04:36,000 Possibly. 72 00:04:40,640 --> 00:04:42,840 I was thinking, perhaps we should have 73 00:04:42,865 --> 00:04:45,344 a big anniversary party this year. 74 00:04:47,320 --> 00:04:48,920 To celebrate hitting our stride. 75 00:04:55,360 --> 00:04:56,200 All right. 76 00:04:58,560 --> 00:05:00,440 [PHONE RINGS] 77 00:05:02,840 --> 00:05:03,680 Yes? 78 00:05:05,120 --> 00:05:06,720 All right. [MOUTHS] It's Margaret. 79 00:05:08,720 --> 00:05:10,120 [ELIZABETH ON PHONE] So how was it? 80 00:05:11,840 --> 00:05:14,040 It somehow managed to lift the spirits 81 00:05:14,120 --> 00:05:16,760 and make one want to kill oneself in equal measure. 82 00:05:17,600 --> 00:05:19,040 Took forever to get there. 83 00:05:19,120 --> 00:05:21,240 - Mummy was a nightmare. - Was she? 84 00:05:21,320 --> 00:05:24,800 Mercifully, they sent a helicopter to bring us back. [CHUCKLES] 85 00:05:24,880 --> 00:05:25,720 Hmm. 86 00:05:27,400 --> 00:05:30,367 And I have this horrible feeling that somewhere, 87 00:05:31,000 --> 00:05:32,264 in the middle of it all... 88 00:05:35,040 --> 00:05:38,094 I agreed to get married myself. 89 00:05:39,148 --> 00:05:40,024 What? 90 00:05:40,720 --> 00:05:44,080 - To whom? - Billy Wallace. 91 00:05:44,920 --> 00:05:45,960 Goodness! 92 00:05:46,800 --> 00:05:49,120 Congratulations! [MOUTHS] Billy Wallace. 93 00:05:49,640 --> 00:05:51,960 Oh, Christ! 94 00:05:54,040 --> 00:06:00,880 So if I were to accept, it would be a yes from you? 95 00:06:02,360 --> 00:06:03,600 Yes, of course. 96 00:06:03,680 --> 00:06:05,120 An emphatic yes. 97 00:06:05,840 --> 00:06:09,280 And Philip and I were just discussing having a party 98 00:06:09,360 --> 00:06:11,280 for our tenth wedding anniversary, 99 00:06:11,600 --> 00:06:15,000 and you and Billy could use the occasion to announce your engagement, 100 00:06:15,080 --> 00:06:16,120 if you wanted. 101 00:06:18,320 --> 00:06:19,920 That's a nice idea. 102 00:06:20,520 --> 00:06:22,520 Well, that's settled then. [INHALES] 103 00:06:22,600 --> 00:06:26,520 - Thank you. - My pleasure. Goodnight, Margaret. 104 00:06:26,600 --> 00:06:27,440 [LINE CLICKS] 105 00:06:34,680 --> 00:06:35,680 [EXHALES DEEPLY] 106 00:07:31,162 --> 00:07:39,150 Synced and corrected by -robtor- www.addic7ed.com 107 00:08:00,000 --> 00:08:02,000 [MAN ON TELEVISION] ...perhaps you'd explain why it is 108 00:08:02,080 --> 00:08:04,480 that the satellite keeps on circling the Earth 109 00:08:04,560 --> 00:08:07,440 instead of either flying off into space or dropping to the ground. 110 00:08:07,520 --> 00:08:11,800 I'm not sure how I feel about a Russian satellite circling the Earth... 111 00:08:12,760 --> 00:08:15,120 just above our heads. What's it doing up there? 112 00:08:15,200 --> 00:08:17,440 Notionally, it's providing information 113 00:08:17,520 --> 00:08:19,920 about the density of the Earth's upper atmosphere. 114 00:08:20,520 --> 00:08:24,240 Of course its darker purpose is to demonstrate to everyone 115 00:08:24,320 --> 00:08:26,440 the extent of Russian military power 116 00:08:26,520 --> 00:08:29,240 - and technical capacity. - Oh. 117 00:08:29,320 --> 00:08:30,800 The same rocket that launched this satellite 118 00:08:30,880 --> 00:08:33,040 is capable of firing a nuclear warhead 119 00:08:33,120 --> 00:08:36,320 into enemy territory with pinpoint accuracy. 120 00:08:37,240 --> 00:08:38,335 - Wow. - [MACMILLAN] Imagine the effect 121 00:08:38,360 --> 00:08:39,680 this will have on the Americans. 122 00:08:40,560 --> 00:08:43,240 A great crisis of self-doubt, if I'm not very much mistaken. 123 00:08:43,880 --> 00:08:47,440 We must seize this opportunity to help the Americans 124 00:08:47,520 --> 00:08:50,440 and work together in a joint effort to meet the Russian threat. 125 00:08:50,520 --> 00:08:55,280 That is the way to repair Anglo-American relations, which, as you know, 126 00:08:55,360 --> 00:09:00,520 have deteriorated terribly due to the Suez Crisis. 127 00:09:01,880 --> 00:09:03,880 Quite. You know, after the war they said Eisen... 128 00:09:03,905 --> 00:09:07,680 [MACMILLAN] I am absolutely determined to restore the special relationship 129 00:09:07,760 --> 00:09:09,480 that exists between our two countries. 130 00:09:09,560 --> 00:09:14,440 We're bound by so much more than just language and shared history. 131 00:09:15,200 --> 00:09:17,120 It's a kind of marriage. 132 00:09:18,080 --> 00:09:20,815 As in any marriage, there'll be ups and downs, 133 00:09:20,840 --> 00:09:24,600 but one must work to get things back on track. 134 00:09:27,640 --> 00:09:29,533 They say that listening's important. 135 00:09:30,840 --> 00:09:32,000 In any marriage. 136 00:09:33,440 --> 00:09:35,800 [MAN ON TELEVISION] Does that mean that we can learn just as much 137 00:09:35,825 --> 00:09:37,465 from this satellite as the Russians? 138 00:09:37,600 --> 00:09:40,280 [BIRDS CHIRPING] 139 00:09:47,880 --> 00:09:49,240 And how are we going to do this? 140 00:09:50,040 --> 00:09:53,680 I think the driver should drop me first, then take you on to the station. 141 00:09:53,760 --> 00:09:55,120 Or I could wait. 142 00:09:57,040 --> 00:09:58,920 I don't think that would be wise. 143 00:10:00,720 --> 00:10:03,680 Why? How long do you need with him? 144 00:10:05,680 --> 00:10:09,160 A day. Maybe two. 145 00:10:10,080 --> 00:10:13,120 It's the last time, I promise. 146 00:10:13,200 --> 00:10:16,120 - Don't make promises you cannot keep. - [DOROTHY] No. 147 00:10:16,680 --> 00:10:19,646 I'm determined to end it. It's time. 148 00:10:20,040 --> 00:10:22,800 - Now that you're Prime Minister. - Yes, it is. 149 00:10:23,400 --> 00:10:26,360 [THUNDER CRASHING] 150 00:10:58,040 --> 00:11:00,480 - [BEATON] With a one, two, three, flash. - [CAMERA SHUTTER CLICKS] 151 00:11:00,560 --> 00:11:02,360 Oh, quite magnificent. 152 00:11:03,680 --> 00:11:05,360 Why does it always have to be Cecil Beaton 153 00:11:05,385 --> 00:11:08,360 - taking my official birthday portrait? - What's wrong with Cecil? 154 00:11:08,720 --> 00:11:12,280 When it came out last year, everyone said how pretty you looked. 155 00:11:12,305 --> 00:11:14,585 No, they said how much I looked like you. 156 00:11:15,280 --> 00:11:16,240 Well, quite. 157 00:11:17,320 --> 00:11:20,440 Cecil does just one thing: fairy tales. 158 00:11:21,360 --> 00:11:23,800 Yes, but he does it so well. 159 00:11:24,520 --> 00:11:25,920 And to me, Your Royal Highness. 160 00:11:26,000 --> 00:11:28,080 A little less chin, and.. 161 00:11:28,760 --> 00:11:29,760 [CAMERA SHUTTER CLICKS] 162 00:11:30,440 --> 00:11:31,640 What do you think? 163 00:11:32,400 --> 00:11:34,360 I asked my new lady-in-waiting here today... 164 00:11:34,440 --> 00:11:35,440 Your Majesty. 165 00:11:35,520 --> 00:11:37,200 ...to offer her opinion... 166 00:11:38,400 --> 00:11:40,920 having at least one foot in the real world. 167 00:11:41,360 --> 00:11:45,240 I think birthday portraits should evolve and mature with age. 168 00:11:45,320 --> 00:11:49,840 Like the subject. Show change in the character. Complexity. 169 00:11:50,560 --> 00:11:51,623 Reality. 170 00:11:54,000 --> 00:11:57,120 No one wants complexity and reality from us. 171 00:11:57,200 --> 00:11:59,160 - [BEATON LAUGHS] - Do sit down. 172 00:12:00,440 --> 00:12:02,920 People have enough of that in their own lives. 173 00:12:03,880 --> 00:12:07,480 - They want us to help them escape. - Indeed, Your Majesty. 174 00:12:07,966 --> 00:12:09,886 Imagine this, if you will... 175 00:12:10,880 --> 00:12:15,680 a young woman, a commonplace creature. She sits in her drab little scullery. 176 00:12:16,133 --> 00:12:19,453 So much work to do. So much washing-up. 177 00:12:20,200 --> 00:12:23,320 How she longs for comfort, for hope. 178 00:12:23,400 --> 00:12:27,040 - And again. One, two, three and flash. - [CAMERA SHUTTER CLICKS] 179 00:12:27,560 --> 00:12:32,000 She wants to believe her life has some meaning beyond chores. 180 00:12:32,080 --> 00:12:36,600 She opens a magazine and she sees Her Royal Highness's photograph. 181 00:12:37,160 --> 00:12:43,160 For one glorious, transforming moment, she becomes a princess, too. 182 00:12:43,240 --> 00:12:48,440 She is lifted out of her miserable, pitiful reality into a fantasy. 183 00:12:52,480 --> 00:12:55,840 Later, she will step out of her house 184 00:12:55,920 --> 00:13:01,120 in a new neckerchief, perhaps, for which she has saved. 185 00:13:01,640 --> 00:13:05,160 Oh, she will hold her head up high. She is renewed. 186 00:13:06,120 --> 00:13:08,520 And all thanks to you, Your Royal Highness... 187 00:13:09,600 --> 00:13:13,200 and to the ideal which you represent. 188 00:13:14,680 --> 00:13:17,440 And now, with a one, two, three and flash. 189 00:13:18,520 --> 00:13:19,520 Quite marvelous. 190 00:13:19,600 --> 00:13:22,160 ♪ Ding-dong, the bells are ringing ♪ 191 00:13:22,240 --> 00:13:25,080 [CHATTERING] 192 00:13:25,480 --> 00:13:30,360 ♪ Ding-dong, the bells are ringing For you and I ♪ 193 00:13:30,480 --> 00:13:31,560 [MAN] It's good news all round. 194 00:13:31,640 --> 00:13:33,360 ♪ Ding-dong, the bells are ringing ♪ 195 00:13:33,440 --> 00:13:35,080 [MAN LAUGHING] 196 00:13:35,160 --> 00:13:37,160 [CHATTERING] 197 00:13:40,800 --> 00:13:43,960 In the 20 or so years we have known the hapless, misshapen crane 198 00:13:44,040 --> 00:13:45,920 that is Billy Wallace, has any woman ever 199 00:13:45,945 --> 00:13:48,024 looked at him as an object of desire? 200 00:13:48,080 --> 00:13:49,280 I mean, even remotely? 201 00:13:49,360 --> 00:13:50,480 [SNICKERS] 202 00:13:50,560 --> 00:13:51,800 Certainly not. 203 00:13:52,420 --> 00:13:54,340 Then how can one begin to explain that? 204 00:13:55,720 --> 00:14:00,560 - [WOMEN GIGGLING] - [BILLY SPEAKING INDISTINCTLY] 205 00:14:23,360 --> 00:14:25,760 Ma'am, Lord Blandford just telephoned to apologize 206 00:14:25,840 --> 00:14:28,480 and say that Mr. Wallace may be indisposed this evening. 207 00:14:28,560 --> 00:14:31,520 He can't be indisposed. We're announcing our engagement. 208 00:14:31,600 --> 00:14:34,800 Something about an injury. Rather a serious injury. 209 00:14:49,480 --> 00:14:50,680 - Where is he? - [MAN] Your Highness. 210 00:14:51,680 --> 00:14:52,520 Uh... 211 00:14:57,120 --> 00:14:59,200 Her Royal Highness, Princess Margaret. 212 00:14:59,280 --> 00:15:01,320 - [MARGARET] Out of my way. - Oh, shit. 213 00:15:01,400 --> 00:15:03,120 [DOCTOR] No, you must keep your leg up, sir. 214 00:15:03,200 --> 00:15:04,103 Billy? 215 00:15:04,932 --> 00:15:06,132 It's all right, Simpson. 216 00:15:16,040 --> 00:15:18,800 Well, what's going on? It's our announcement this evening. 217 00:15:18,935 --> 00:15:19,775 [DOOR CLOSES] 218 00:15:19,800 --> 00:15:21,528 Unforeseen circs, I'm afraid. 219 00:15:21,553 --> 00:15:23,787 Rather a dust-up in the early hours. 220 00:15:25,000 --> 00:15:26,040 Are you drunk? 221 00:15:26,120 --> 00:15:29,280 Don't be like that. I had to do something for the pain. 222 00:15:30,000 --> 00:15:31,920 - Well, what happened? - [BILLY] Wait till you hear. 223 00:15:32,406 --> 00:15:33,806 You'll laugh till you spit. 224 00:15:34,320 --> 00:15:36,960 Your friend Tennant rather took offense at something I did. 225 00:15:37,040 --> 00:15:38,720 You came to blows with Colin? 226 00:15:38,800 --> 00:15:40,880 I believe the word "duel" was mentioned. 227 00:15:41,800 --> 00:15:42,680 A duel? 228 00:15:44,160 --> 00:15:46,120 [BILLY] Tennant issued the challenge. 229 00:15:46,200 --> 00:15:48,360 A little childish in this day and age if you ask me, 230 00:15:48,385 --> 00:15:50,505 but a duel is a duel, so I stepped up to the mark. 231 00:15:50,640 --> 00:15:53,120 [BILLY WHIMPERING] 232 00:15:53,200 --> 00:15:54,560 That's what a gentleman does. 233 00:15:55,240 --> 00:15:56,080 No! 234 00:15:59,560 --> 00:16:00,400 [SIGHS] 235 00:16:00,480 --> 00:16:01,670 [BILLY] If I'm completely honest, 236 00:16:01,695 --> 00:16:04,224 a little drink had been taken during the night. 237 00:16:05,760 --> 00:16:08,760 But we faced the dawn with clear heads and strong hearts. 238 00:16:09,440 --> 00:16:10,600 [SNIVELING] 239 00:16:10,680 --> 00:16:12,650 Now, Tennant wanted to motor up to Glen 240 00:16:12,675 --> 00:16:14,584 to get his father's old pistols. 241 00:16:14,640 --> 00:16:16,920 It would've been quite ridiculous. Much too far away. 242 00:16:17,000 --> 00:16:18,400 So, Blandford offered his. 243 00:16:19,240 --> 00:16:21,280 [BILLY SNIVELING] It was a bloody stupid mistake. 244 00:16:21,560 --> 00:16:24,240 A duel is not just a test of marksmanship. 245 00:16:25,160 --> 00:16:26,200 It's a test of character. 246 00:16:28,292 --> 00:16:29,532 Ten paces. 247 00:16:30,720 --> 00:16:33,320 One... two... 248 00:16:33,820 --> 00:16:35,940 three... four... 249 00:16:36,913 --> 00:16:39,313 five... six... 250 00:16:40,012 --> 00:16:44,692 seven... eight... nine... 251 00:16:44,717 --> 00:16:45,637 ten. 252 00:16:45,840 --> 00:16:47,080 [GUNS FIRE] 253 00:16:48,360 --> 00:16:51,160 Fucker shot me in the leg. Bloody awful thing. 254 00:16:51,240 --> 00:16:54,280 Anyway, I survived with a small flesh wound. 255 00:16:56,800 --> 00:16:58,320 And why was he angry with you? 256 00:16:59,400 --> 00:17:00,755 It's the strangest thing, 257 00:17:00,780 --> 00:17:02,944 but ever since word got out about our engagement, 258 00:17:03,000 --> 00:17:05,840 I've found myself quite the center of attention. 259 00:17:06,400 --> 00:17:08,400 It's as though every good-looking girl on Earth 260 00:17:08,480 --> 00:17:11,040 [LAUGHS] has taken the news as a personal challenge. 261 00:17:11,680 --> 00:17:15,640 I'm not used to the idea of being a beau, much less a catch. 262 00:17:16,120 --> 00:17:18,560 Seems to have gone to my head rather. 263 00:17:19,800 --> 00:17:22,160 - Had a bit of a fumble at Blenheim. - [SIGHS] 264 00:17:22,240 --> 00:17:25,760 She was rather a beauty. She's in pictures, you know. An actress. 265 00:17:26,320 --> 00:17:30,160 Anyway, Tennant got wind of it and got very cross. 266 00:17:36,720 --> 00:17:37,920 Yes, with reason. 267 00:17:40,960 --> 00:17:45,600 You pathetic, weak, contemptible fool. 268 00:17:47,640 --> 00:17:50,288 I never even wanted to marry you. 269 00:17:50,313 --> 00:17:52,664 You were only ever an act of charity. 270 00:17:53,106 --> 00:17:54,306 Or desperation. 271 00:17:55,960 --> 00:17:58,000 And now you insult me? You? 272 00:17:58,840 --> 00:18:00,637 People like you don't get to insult people like me. 273 00:18:00,662 --> 00:18:02,184 You get to be eternally grateful. 274 00:18:06,280 --> 00:18:07,800 You've quite the way with women. 275 00:18:09,280 --> 00:18:11,409 Take a look at this face. 276 00:18:11,434 --> 00:18:14,184 A picture of disappointment and disgust. 277 00:18:16,640 --> 00:18:19,280 This is the look that every woman you ever know will come to share. 278 00:18:20,800 --> 00:18:23,760 This is what the next 40 years of your life will look like. 279 00:18:32,680 --> 00:18:33,560 Margaret... 280 00:18:34,440 --> 00:18:35,400 - [DOOR OPENS] - Margaret! 281 00:18:35,480 --> 00:18:37,120 - [FOOTSTEPS] - Shit! 282 00:18:37,200 --> 00:18:39,840 [CHATTERING] 283 00:18:50,160 --> 00:18:51,680 Ma'am, I've been asked to tell you 284 00:18:51,760 --> 00:18:53,863 that Princess Margaret will not be announcing 285 00:18:53,888 --> 00:18:55,584 the engagement this evening. 286 00:18:56,520 --> 00:18:58,680 Her Royal Highness said she'll explain everything later. 287 00:18:58,760 --> 00:19:00,480 Yes, I'm sure she will. Thank you, Michael. 288 00:19:00,560 --> 00:19:01,560 [ADEANE] Thank you, ma'am. 289 00:19:21,280 --> 00:19:22,920 [GUESTS LAUGHING] 290 00:19:23,000 --> 00:19:24,720 All right, all right, settle down. 291 00:19:25,080 --> 00:19:28,056 So on my recent tour of the Pacific, 292 00:19:28,081 --> 00:19:30,784 I was introduced to a man who said to me, 293 00:19:31,480 --> 00:19:35,440 "My wife is a doctor of philosophy and much more important than I am." 294 00:19:35,520 --> 00:19:36,880 [LAUGHS] 295 00:19:37,560 --> 00:19:39,720 To which I could only reply, 296 00:19:39,800 --> 00:19:42,160 "Ah, yes, sir, we have that trouble in our family too." 297 00:19:42,240 --> 00:19:43,360 [ALL LAUGHING] 298 00:19:46,760 --> 00:19:49,480 You know, when I imagined our marriage in the early days, 299 00:19:49,560 --> 00:19:51,328 I imagined two people 300 00:19:51,353 --> 00:19:54,944 welded together into some sort of combined existence. 301 00:19:56,200 --> 00:20:03,120 Ten years. Ten years has taught me the secret of a successful marriage 302 00:20:03,200 --> 00:20:05,680 is actually to have different interests. 303 00:20:05,760 --> 00:20:09,640 Well, different interests, but not entirely different. 304 00:20:09,720 --> 00:20:11,760 [ALL LAUGHING] 305 00:20:15,120 --> 00:20:16,560 It's a funny business. 306 00:20:18,080 --> 00:20:21,240 One sees the whole of the other person, you see even that part of them 307 00:20:21,265 --> 00:20:22,905 that they don't see themselves, 308 00:20:22,930 --> 00:20:26,983 and presumably... they see that hidden part of you. 309 00:20:29,240 --> 00:20:31,753 One ends up knowing more about one's partner 310 00:20:32,203 --> 00:20:34,024 than they know about themselves. 311 00:20:34,920 --> 00:20:36,587 And it can be pretty tough 312 00:20:36,612 --> 00:20:39,384 to keep quiet about it. So you have to... 313 00:20:39,920 --> 00:20:42,040 You have to come to an accommodation, 314 00:20:42,320 --> 00:20:45,243 an arrangement, a deal... 315 00:20:46,533 --> 00:20:48,745 if you like, to take the rough with the smooth. 316 00:20:52,840 --> 00:20:54,520 But the extraordinary thing is... 317 00:20:56,160 --> 00:20:57,560 down there in the rough... 318 00:20:58,520 --> 00:21:01,680 in the long reeds of difficulty and pain... 319 00:21:04,640 --> 00:21:06,440 that is where you find the treasure. 320 00:21:09,600 --> 00:21:11,520 So I would like to propose a toast... 321 00:21:13,800 --> 00:21:15,000 in the name of love. 322 00:21:17,440 --> 00:21:19,400 In the name of our beloved country. 323 00:21:20,440 --> 00:21:22,200 In the name of steadfastness. 324 00:21:23,200 --> 00:21:26,560 In the name of another ten marvelous years. 325 00:21:30,440 --> 00:21:34,040 I give you mon petit chou... 326 00:21:39,560 --> 00:21:40,440 Lilibet... 327 00:21:43,000 --> 00:21:43,880 Elizabeth... 328 00:21:46,400 --> 00:21:47,240 the Queen. 329 00:21:51,800 --> 00:21:54,640 [ALL] The Queen! 330 00:21:55,200 --> 00:21:56,480 [HANDS THUDDING] 331 00:21:56,560 --> 00:21:57,920 [CLAPPING] 332 00:22:09,600 --> 00:22:11,440 [ELLA FITZGERALD'S "ANGEL EYES" PLAYING LOUDLY] 333 00:22:11,520 --> 00:22:12,840 [BANGING] 334 00:22:22,640 --> 00:22:24,000 [WOMAN LAUGHS] 335 00:22:34,600 --> 00:22:37,240 [BANGING] 336 00:22:55,160 --> 00:22:59,800 ♪ You happy people ♪ 337 00:23:00,240 --> 00:23:07,240 ♪ The laugh's and the joke's on me ♪ 338 00:23:09,520 --> 00:23:14,480 ♪ Pardon me ♪ 339 00:23:14,560 --> 00:23:18,360 ♪ But I've got to run ♪ 340 00:23:19,400 --> 00:23:26,280 ♪ The fact's uncommonly clear ♪ 341 00:23:26,360 --> 00:23:29,520 ♪ Got to find... ♪ 342 00:23:29,600 --> 00:23:30,960 [HUMMING] 343 00:23:31,080 --> 00:23:37,720 ♪ Who's now number one ♪ 344 00:23:39,200 --> 00:23:40,760 - [CRASHING] - [MARGARET GRUNTS] 345 00:23:40,840 --> 00:23:44,720 ♪ And why my angel eyes ♪ 346 00:23:44,800 --> 00:23:47,040 [MARGARET GRUNTING] 347 00:23:49,400 --> 00:23:51,600 ♪ Where ♪ 348 00:23:51,680 --> 00:23:53,640 [SCREAMS] 349 00:23:54,560 --> 00:24:00,640 ♪ Is my angel eyes? ♪ 350 00:24:00,720 --> 00:24:03,800 [MOANING AND SOBBING] 351 00:24:03,880 --> 00:24:10,440 ♪ Excuse me ♪ 352 00:24:10,520 --> 00:24:17,480 ♪ While I disappear ♪ 353 00:24:21,800 --> 00:24:27,320 ♪ Angel eyes ♪ 354 00:24:28,240 --> 00:24:35,240 ♪ Angel eyes ♪ 355 00:24:39,760 --> 00:24:42,240 [RADIO TUNING] 356 00:24:42,320 --> 00:24:44,800 [MAN ON RADIO] We're sending you to the newsroom at Alexandra Palace. 357 00:24:45,320 --> 00:24:48,880 President Eisenhower has spoken warmly of the special relationship 358 00:24:48,960 --> 00:24:51,560 that exists between Britain and the United States. 359 00:24:51,640 --> 00:24:53,993 [EISENHOWER ON RADIO] Prime Minister Macmillan and I will 360 00:24:54,018 --> 00:24:55,664 do everything we can 361 00:24:55,720 --> 00:25:01,680 to strengthen and repair the long-term bonds which have bound together the... 362 00:25:04,680 --> 00:25:07,200 [DOROTHY WHISPERING] But I can't. I can't. 363 00:25:08,000 --> 00:25:10,320 I want only you. 364 00:25:11,400 --> 00:25:16,400 I've tried again with Harold. Tried and tried. 365 00:25:17,000 --> 00:25:19,160 I know, I know. 366 00:25:19,240 --> 00:25:24,080 I just can't. I can't have him touch me, be near me. 367 00:25:25,000 --> 00:25:28,720 His weakness repels me. 368 00:25:29,160 --> 00:25:32,920 His love disgusts me. 369 00:25:47,560 --> 00:25:48,840 [EXHALES] 370 00:25:51,680 --> 00:25:52,960 Good morning! 371 00:25:53,440 --> 00:25:55,520 Oh, darling, what a mess. [LAUGHS] 372 00:25:56,160 --> 00:26:01,280 It is the most beautiful day. 373 00:26:04,200 --> 00:26:06,120 I've brought something to cheer you up. 374 00:26:07,160 --> 00:26:09,640 Cecil's magnificent work. 375 00:26:10,160 --> 00:26:12,480 He's quite outdone himself this time. 376 00:26:14,000 --> 00:26:16,220 I can tell you which one I would choose 377 00:26:16,245 --> 00:26:18,344 as the official birthday portrait, 378 00:26:18,840 --> 00:26:21,280 and Cecil immediately agreed. 379 00:26:21,960 --> 00:26:24,840 But of course, it's for you to decide. 380 00:26:56,800 --> 00:26:58,920 And with regards to Billy Wallace... 381 00:26:59,000 --> 00:27:00,880 Don't mention that name. 382 00:27:00,960 --> 00:27:03,240 I've had him on the telephone to me all morning, 383 00:27:03,320 --> 00:27:04,680 quite distraught. 384 00:27:04,760 --> 00:27:06,267 Then his mother, then his grandmother... 385 00:27:06,292 --> 00:27:08,264 I'm never speaking to him again. 386 00:27:08,760 --> 00:27:10,440 Then we will find you someone else. 387 00:27:13,960 --> 00:27:16,480 I don't want you to find me anyone. 388 00:27:16,560 --> 00:27:18,560 Maurice Landgrave of Hesse. 389 00:27:18,640 --> 00:27:20,720 - [MARGARET SIGHS] - He's a distant cousin. 390 00:27:20,800 --> 00:27:24,680 Now his mother was a Catholic, but their lands are still intact, 391 00:27:24,760 --> 00:27:27,480 and he gives a very good show of himself on the polo field... 392 00:27:27,560 --> 00:27:28,600 No one! 393 00:27:28,680 --> 00:27:32,400 Someone suggested Prince Christian of Hanover, 394 00:27:32,480 --> 00:27:34,480 a descendant of Queen Victoria. 395 00:27:35,280 --> 00:27:38,560 Served in the Luftwaffe, but we won't hold that against him. 396 00:27:39,360 --> 00:27:42,120 I do know what the official duties of a lady-in-waiting are. 397 00:27:42,200 --> 00:27:45,520 Accompanying me on foreign trips, dealing with my mail. 398 00:27:47,440 --> 00:27:51,000 Do you suppose it might also include helping me climb over the wall to escape? 399 00:27:51,920 --> 00:27:53,680 I just can't bear it anymore. 400 00:27:53,760 --> 00:27:56,520 I'm having some people to dinner, tonight. 401 00:27:58,800 --> 00:28:00,040 What, normal people? 402 00:28:00,760 --> 00:28:02,160 [CAVENDISH] Yes, they're all normal. 403 00:28:03,200 --> 00:28:05,960 But in their own way, they're all quite exceptional, too. 404 00:28:06,400 --> 00:28:07,320 [MARGARET] You can go. 405 00:28:07,400 --> 00:28:08,920 [CAVENDISH] And possibly not deferential. 406 00:28:11,400 --> 00:28:12,340 [MARGARET] That's fine. 407 00:28:12,365 --> 00:28:14,824 As long as they still meet the main requirements. 408 00:28:15,440 --> 00:28:16,280 Which are? 409 00:28:18,000 --> 00:28:21,165 That none of them breeds horses, owns land... 410 00:28:21,190 --> 00:28:23,664 or knows my mother. 411 00:28:23,720 --> 00:28:26,280 [GUESTS CHATTERING] 412 00:28:36,080 --> 00:28:38,640 [JAZZ MUSIC PLAYING] 413 00:28:44,880 --> 00:28:46,000 All right, all of you. 414 00:28:47,560 --> 00:28:49,280 - Hello. - [TAPPING GLASS] 415 00:28:49,360 --> 00:28:50,360 Everyone. 416 00:28:50,920 --> 00:28:53,680 I'd like you to say hello to our guest of honor, 417 00:28:53,760 --> 00:28:56,520 Her Royal Highness, the Princess Margaret. 418 00:28:58,680 --> 00:29:00,520 [ALL] Hello. 419 00:29:02,240 --> 00:29:05,880 Are you ready, ma'am? Here come the introductions. 420 00:29:05,960 --> 00:29:07,560 Here we have Dudley on the piano. 421 00:29:07,640 --> 00:29:10,480 - [DUDLEY PLAYS PIANO] - [GUESTS LAUGHING] 422 00:29:10,560 --> 00:29:12,080 And this here is Shilpa. 423 00:29:12,160 --> 00:29:13,720 [GUESTS CHATTERING] 424 00:29:49,120 --> 00:29:51,146 [MAN] Feeling a little left out... 425 00:29:52,283 --> 00:29:55,464 and you're thinking to yourself, [SIGHS] 426 00:29:55,520 --> 00:29:58,280 "These dabblers and freaks seem to know one another very well." 427 00:29:59,440 --> 00:30:00,280 Hmm? 428 00:30:05,320 --> 00:30:07,480 Then you'd be absolutely right. 429 00:30:09,240 --> 00:30:10,200 Now, be honest. 430 00:30:11,680 --> 00:30:14,600 Can you remember any of the names? 431 00:30:17,440 --> 00:30:18,600 No, not really. 432 00:30:18,680 --> 00:30:20,240 Can't remember me either? 433 00:30:20,880 --> 00:30:22,000 What, we've met? 434 00:30:22,080 --> 00:30:23,040 We have. 435 00:30:24,480 --> 00:30:26,120 Where have we met? 436 00:30:26,680 --> 00:30:28,000 Perhaps it'll come to you. 437 00:30:28,520 --> 00:30:30,360 Now, where to begin... 438 00:30:31,400 --> 00:30:33,040 Ah. Far corner. 439 00:30:33,640 --> 00:30:36,600 The irresistible so-and-so with the mustard-colored polo neck. 440 00:30:36,680 --> 00:30:40,760 - Irresistible? - Oh, come on, a nine, surely? 441 00:30:40,840 --> 00:30:41,880 Seven. 442 00:30:42,480 --> 00:30:44,760 He's called Jeremy, he's heir to a chocolate fortune. 443 00:30:44,840 --> 00:30:48,080 Married to the blonde beauty opposite. 444 00:30:49,007 --> 00:30:51,247 - Oh, she's an eight. - Isn't she? 445 00:30:52,080 --> 00:30:54,080 Yes, they dazzle in public, those two. 446 00:30:55,320 --> 00:30:59,160 They don't disappoint in private either. More of that another time, I think. 447 00:30:59,240 --> 00:31:00,360 Who's next? 448 00:31:01,040 --> 00:31:04,120 Ah, yes. Our flushed and fleshy friend in paisley. 449 00:31:04,800 --> 00:31:07,480 His name's Ken Russell, makes documentaries for the BBC. 450 00:31:07,560 --> 00:31:09,320 Travels everywhere on a bus. 451 00:31:12,160 --> 00:31:15,640 You've probably never been on a bus, have you? 452 00:31:17,280 --> 00:31:19,560 - No. - Pity. 453 00:31:20,007 --> 00:31:21,447 You really do meet the best people. 454 00:31:24,760 --> 00:31:28,480 Tell me about the woman with the... extraordinary eyes. 455 00:31:30,840 --> 00:31:32,200 Baroness Frankenstein. 456 00:31:33,600 --> 00:31:37,280 She played opposite Boris Karloff in that movie, you know. Actress. 457 00:31:37,360 --> 00:31:38,840 - Oh. - No one can quite make out 458 00:31:38,960 --> 00:31:41,200 why she left a rather brilliant film producer 459 00:31:41,280 --> 00:31:43,000 for a dreary politician. 460 00:31:45,680 --> 00:31:47,600 - Oh. - His name's John Profumo. 461 00:31:48,080 --> 00:31:49,800 - Fucking dull. - [MARGARET LAUGHS] 462 00:31:49,880 --> 00:31:52,280 - It's true, it's true. But... - [MARGARET LAUGHS] 463 00:31:52,960 --> 00:31:54,720 The older gentleman beside him... 464 00:31:54,745 --> 00:31:56,336 Oh, no, no, no. I know who that one is. 465 00:31:56,361 --> 00:31:57,889 That's John Betjeman, the poet. 466 00:31:58,640 --> 00:31:59,480 Um... 467 00:32:01,240 --> 00:32:05,600 "Books from Boots' and country lanes, Free speech, free passes... 468 00:32:05,680 --> 00:32:07,360 - [BOTH] Class distinction. - [MARGARET LAUGHS] 469 00:32:07,960 --> 00:32:08,800 Distinction. 470 00:32:11,040 --> 00:32:12,520 - Democracy... - Democracy... 471 00:32:12,600 --> 00:32:15,280 [BOTH] and proper drains." 472 00:32:16,680 --> 00:32:17,520 Just so. 473 00:32:21,440 --> 00:32:24,880 Is it really true he has two wives? [LAUGHS] 474 00:32:25,560 --> 00:32:26,560 I hope so. 475 00:32:27,600 --> 00:32:28,920 Better if he has three. 476 00:32:30,680 --> 00:32:32,880 We don't want anyone conventional around here. 477 00:32:37,320 --> 00:32:39,520 [WOMEN LAUGHING AND CHATTERING] 478 00:32:40,200 --> 00:32:42,080 Now, tell me about you. 479 00:32:42,160 --> 00:32:44,280 - Oh, God, you really don't remember. - No. 480 00:32:44,360 --> 00:32:46,520 Hm. I'm a photographer. 481 00:32:48,320 --> 00:32:49,920 Oh, the wedding photographer? 482 00:32:50,000 --> 00:32:52,440 Ah, that was a favor. That's not my normal line of work. 483 00:32:53,440 --> 00:32:54,360 What is? 484 00:32:55,600 --> 00:32:56,440 This. 485 00:33:00,040 --> 00:33:00,880 Ah. 486 00:33:01,120 --> 00:33:04,960 - What, these are yours? - Yes. [EXHALES] 487 00:33:05,040 --> 00:33:06,200 Portraits? 488 00:33:06,280 --> 00:33:10,200 Mm, I don't like that word. It's so stuffy and traditional. 489 00:33:10,280 --> 00:33:13,200 Oh, sorry. What are they, then? 490 00:33:14,080 --> 00:33:16,006 Mm, people, faces. 491 00:33:16,031 --> 00:33:18,944 They're the most interesting subject I've found so far. 492 00:33:20,840 --> 00:33:23,840 If you can think of anything more interesting, do let me know. 493 00:33:25,840 --> 00:33:27,040 Oh, I like them. 494 00:33:28,760 --> 00:33:32,680 It's as if there's no camera at all. You've caught them off guard. 495 00:33:32,760 --> 00:33:36,760 - Ah, it's all luck, really. - You've made the ugliness beautiful. 496 00:33:37,160 --> 00:33:40,360 I despise posturing and pretentiousness and humbug. 497 00:33:41,880 --> 00:33:42,760 Don't you? 498 00:33:44,680 --> 00:33:46,920 Is that why you took up photography? 499 00:33:48,120 --> 00:33:48,960 Maybe. 500 00:33:50,560 --> 00:33:52,760 Maybe it's just a good way to get behind closed doors. 501 00:33:53,320 --> 00:33:54,549 [MARGARET] Somebody's door in particular? 502 00:33:54,574 --> 00:33:55,944 Just doors generally. 503 00:33:56,000 --> 00:33:58,400 A facade is only useful as a marker 504 00:33:58,480 --> 00:34:00,640 for something one has to get behind or beyond. 505 00:34:00,720 --> 00:34:02,902 The surface is so dreary, don't you think? 506 00:34:02,927 --> 00:34:04,624 What people want to show of themselves, 507 00:34:04,680 --> 00:34:07,080 the idealized version, is of no interest to me. 508 00:34:08,040 --> 00:34:11,960 What people hide... that interests me. 509 00:34:15,800 --> 00:34:17,560 But you get so close. 510 00:34:18,960 --> 00:34:20,640 Isn't it rather an intrusion? 511 00:34:21,520 --> 00:34:25,000 It's very much an intrusion, yes. That's exactly what photography is. 512 00:34:26,200 --> 00:34:28,360 I use a small Leica, nothing fancy, 513 00:34:28,440 --> 00:34:31,400 and natural light, which means that I can prowl around. 514 00:34:32,280 --> 00:34:34,320 All the while I'm getting closer and closer, 515 00:34:34,400 --> 00:34:35,960 and in the end, it's kind of like... 516 00:34:36,680 --> 00:34:39,080 - Well, it's, uh... - Intrusion. 517 00:34:42,560 --> 00:34:43,560 Intimacy. 518 00:34:53,280 --> 00:34:56,240 [JAZZ MUSIC PLAYING] 519 00:35:02,640 --> 00:35:04,680 [MARGARET] How would you feel about taking my photograph? 520 00:35:04,760 --> 00:35:06,040 [TONY] Well, I'd consider it. 521 00:35:07,400 --> 00:35:08,640 On one condition. 522 00:35:10,760 --> 00:35:13,760 - Go on. - When you come to my slum studio, 523 00:35:13,840 --> 00:35:16,320 you leave the titles and princess outside. 524 00:35:16,400 --> 00:35:19,400 - [SCOFFS] I'd be happy to. - And for the duration of the session, 525 00:35:20,240 --> 00:35:21,800 you do everything I say. 526 00:35:23,920 --> 00:35:25,160 Don't look like that. 527 00:35:26,200 --> 00:35:27,920 You're dying to, admit it. 528 00:35:29,920 --> 00:35:31,080 Dying to what? 529 00:35:32,240 --> 00:35:33,400 Be a supplicant. 530 00:35:36,600 --> 00:35:37,560 I can tell. 531 00:35:41,640 --> 00:35:44,600 [MARGARET] It was the first room I've ever been to where nobody got up, 532 00:35:45,000 --> 00:35:46,920 bowed, curtsied. 533 00:35:47,440 --> 00:35:49,034 Some just carried on having conversations, 534 00:35:49,059 --> 00:35:50,424 as if I wasn't there at all. 535 00:35:50,960 --> 00:35:54,200 Those that did talk to me did with such indifference 536 00:35:54,280 --> 00:35:59,600 or nonchalance, it verged on impertinence. 537 00:36:00,279 --> 00:36:02,303 There was this one in particular. 538 00:36:03,280 --> 00:36:04,920 - Tony. - Anthony, surely? 539 00:36:05,000 --> 00:36:06,360 [MARGARET] No, he insisted. 540 00:36:06,440 --> 00:36:10,720 Tony. Armstrong-Jones. He's this photographer. 541 00:36:10,800 --> 00:36:13,400 - Like Cecil? - Oh, no, nothing like Cecil. 542 00:36:13,480 --> 00:36:15,040 Couldn't be less like Cecil. 543 00:36:15,600 --> 00:36:18,040 Well, maybe a bit like Cecil, in that he's obviously queer. 544 00:36:18,760 --> 00:36:20,960 Though interestingly, Elizabeth denies it. 545 00:36:21,040 --> 00:36:22,200 Elizabeth who? 546 00:36:22,640 --> 00:36:23,727 Cavendish. 547 00:36:23,752 --> 00:36:26,144 I called her when I got home last night and interrogated her. 548 00:36:26,200 --> 00:36:28,013 "What are the five most important things 549 00:36:28,038 --> 00:36:29,704 I need to know about that man?" 550 00:36:29,760 --> 00:36:30,856 Why five? 551 00:36:30,881 --> 00:36:32,904 I don't know. Felt like the right number. 552 00:36:32,960 --> 00:36:36,440 - [ELIZABETH] Why not three? - He's more interesting than three. 553 00:36:37,480 --> 00:36:38,880 [ELIZABETH] So, what did she say? 554 00:36:39,520 --> 00:36:40,880 One, that he's Welsh. 555 00:36:40,960 --> 00:36:43,480 - Is that interesting? - [MARGARET] No, not particularly. 556 00:36:44,680 --> 00:36:46,480 That he had polio as a child. 557 00:36:47,160 --> 00:36:49,800 That he has a passion for inventing things. 558 00:36:50,320 --> 00:36:52,960 And he would never dream of being anything as straightforward 559 00:36:53,040 --> 00:36:54,320 as "simply queer." 560 00:36:54,400 --> 00:36:55,880 What on earth does that mean? 561 00:36:56,360 --> 00:36:57,760 I'm not altogether sure. 562 00:36:58,680 --> 00:37:02,240 But I'm also not incurious to find out. 563 00:37:02,320 --> 00:37:04,000 [ELIZABETH] What was number five? 564 00:37:04,080 --> 00:37:04,960 [MARGARET] You can go. 565 00:37:04,985 --> 00:37:05,960 - That was five. 566 00:37:05,985 --> 00:37:07,769 - [ELIZABETH] No, Margaret, that was four. 567 00:37:07,880 --> 00:37:09,320 [MARGARET] All right. Five is... 568 00:37:11,320 --> 00:37:12,440 I liked him. 569 00:37:13,000 --> 00:37:15,240 Yes, I can tell that. 570 00:37:16,760 --> 00:37:19,920 - There's a contempt in him. - What for? 571 00:37:22,440 --> 00:37:24,880 For me. For us. 572 00:37:26,280 --> 00:37:28,440 For everything we represent. 573 00:37:31,960 --> 00:37:33,640 I actually think you'd like him. 574 00:37:35,040 --> 00:37:37,000 That's what's so dangerous about him. 575 00:37:38,400 --> 00:37:39,600 [TONY] Upstairs. 576 00:37:53,160 --> 00:37:55,480 [FOOTSTEPS APPROACHING] 577 00:38:12,720 --> 00:38:14,200 [EXHALES] 578 00:38:17,360 --> 00:38:18,360 [TONY] Right. 579 00:38:22,680 --> 00:38:23,600 Wait there. 580 00:38:24,720 --> 00:38:26,760 [TONY WHISTLING] 581 00:38:28,520 --> 00:38:29,520 Back in a minute. 582 00:38:42,600 --> 00:38:44,240 [BANGING] 583 00:38:52,000 --> 00:38:54,080 [FLOORBOARDS CREAKING] 584 00:38:57,840 --> 00:38:59,360 [BANGING] 585 00:39:03,360 --> 00:39:05,920 [FOOTSTEPS] 586 00:39:17,960 --> 00:39:19,080 [EXHALES] 587 00:39:26,640 --> 00:39:28,840 [WHEELS RATTLING] 588 00:39:42,480 --> 00:39:46,560 [LOUD BANGING] 589 00:40:10,480 --> 00:40:11,320 [SIGHS] 590 00:40:37,520 --> 00:40:39,160 [CAMERA WINDING] 591 00:40:41,000 --> 00:40:42,000 [MARGARET EXHALES] 592 00:40:45,160 --> 00:40:46,960 [CAMERA CLICKING, WINDING] 593 00:40:55,600 --> 00:40:56,600 [CAMERA SHUTTER CLICKS] 594 00:41:00,960 --> 00:41:02,200 Don't smile like that. 595 00:41:03,080 --> 00:41:05,000 It's lovely, but don't. 596 00:41:06,000 --> 00:41:07,960 - Too lovely? - [CAMERA WINDING] 597 00:41:09,720 --> 00:41:12,240 - For my taste, yes. - Oh, I see. 598 00:41:12,320 --> 00:41:15,320 - [CAMERA SHUTTER CLICKS] - You'd prefer me to be unlovely? 599 00:41:15,400 --> 00:41:16,400 [CAMERA WINDING] 600 00:41:16,480 --> 00:41:18,240 I'd prefer you to be yourself. 601 00:41:18,265 --> 00:41:20,264 Though I realize that's asking the impossible. 602 00:41:20,680 --> 00:41:21,760 Why? 603 00:41:22,920 --> 00:41:24,720 Because I'm uncooperative? 604 00:41:25,280 --> 00:41:27,280 - Because you have no idea who you are. - [CAMERA SHUTTER CLICKS] 605 00:41:27,360 --> 00:41:28,840 - Look to the window. - [CAMERA WINDING] 606 00:41:28,920 --> 00:41:31,960 - I know perfectly well. - No, not the faintest idea. 607 00:41:33,640 --> 00:41:34,480 Window. 608 00:41:38,760 --> 00:41:39,600 [CAMERA SHUTTER CLICKS] 609 00:41:46,520 --> 00:41:47,840 We don't know who you are, either. 610 00:41:50,000 --> 00:41:52,160 The rest of us, outside the palace gates. 611 00:41:52,720 --> 00:41:55,480 That's because we keep feeding you the fairy tale. 612 00:41:56,000 --> 00:41:56,840 [CAMERA SHUTTER CLICKS] 613 00:41:57,000 --> 00:41:58,240 [CAMERA WINDING] 614 00:42:02,800 --> 00:42:03,640 Like this. 615 00:42:10,680 --> 00:42:11,560 Ah. 616 00:42:14,840 --> 00:42:16,120 Jesus. 617 00:42:16,200 --> 00:42:17,760 I'm sorry, but, uh... 618 00:42:18,400 --> 00:42:19,240 [PHOTO FALLS] 619 00:42:19,760 --> 00:42:21,440 Cecil is a disgrace. 620 00:42:24,280 --> 00:42:26,120 Well, he's been good to the family. 621 00:42:27,400 --> 00:42:29,320 Why would you care about the family? 622 00:42:31,040 --> 00:42:32,800 Have they been good to you? 623 00:42:36,080 --> 00:42:37,200 They're my family. 624 00:42:39,080 --> 00:42:39,920 Yes. 625 00:42:43,400 --> 00:42:44,280 [CAMERA SHUTTER CLICKS] 626 00:42:44,920 --> 00:42:46,120 [CAMERA WINDING] 627 00:42:46,200 --> 00:42:48,320 But that business with Peter Townsend. 628 00:42:51,200 --> 00:42:52,200 Cruel. 629 00:42:58,680 --> 00:43:00,640 Was he really as dreary as he seemed? 630 00:43:02,120 --> 00:43:03,120 [CAMERA SHUTTER CLICKS] 631 00:43:04,880 --> 00:43:08,240 - [CAMERA WINDING] - He was decent and old-fashioned. 632 00:43:11,840 --> 00:43:13,280 Easy qualities to mock. 633 00:43:13,360 --> 00:43:14,360 [CAMERA SHUTTER CLICKS] 634 00:43:16,920 --> 00:43:18,400 [CAMERA WINDING] 635 00:43:20,920 --> 00:43:22,520 Easy to miss, too. 636 00:44:03,920 --> 00:44:04,920 Do you miss him? 637 00:44:15,200 --> 00:44:16,080 Sometimes. 638 00:44:17,320 --> 00:44:18,160 [CAMERA SHUTTER CLICKS] 639 00:44:19,520 --> 00:44:23,320 [TONY] Got it. Right. Back to my place for a drink? 640 00:44:23,400 --> 00:44:24,400 [MARGARET EXHALES] 641 00:44:25,040 --> 00:44:29,880 - Your place? Where's that? - Well, get dressed and I'll show you. 642 00:44:34,120 --> 00:44:34,960 [SIGHS] 643 00:44:35,040 --> 00:44:36,880 [TONY WHISTLING] 644 00:44:43,880 --> 00:44:45,880 [FOOTSTEPS APPROACHING] 645 00:44:49,200 --> 00:44:53,200 So, this is... home. 646 00:44:55,400 --> 00:44:57,560 Oh, it's marvelous. 647 00:45:03,200 --> 00:45:07,520 - [TONY] Whiskey or Cinzano? - Whiskey, please. 648 00:45:08,120 --> 00:45:09,400 [GLASSES CLINK] 649 00:45:12,200 --> 00:45:14,280 [WHISKEY POURING] 650 00:45:16,920 --> 00:45:17,880 Who's she? 651 00:45:20,960 --> 00:45:23,920 - [TONY] A friend. - What kind of friend? 652 00:45:24,720 --> 00:45:25,560 A friend. 653 00:45:27,560 --> 00:45:30,920 And this one? Ooh. Couldn't you have cheered her up a little? 654 00:45:31,000 --> 00:45:33,600 That's Sarah Macmillan, the Prime Minister's daughter. 655 00:45:34,160 --> 00:45:35,120 Or is she? 656 00:45:36,040 --> 00:45:37,320 Word is not. 657 00:45:38,880 --> 00:45:41,720 - That she's Bob Boothby's love child. - No. 658 00:45:41,800 --> 00:45:44,680 Mm. Thirty years they say the affair's been going on, 659 00:45:44,760 --> 00:45:46,720 right under the PM's nose. Can you imagine? 660 00:45:49,680 --> 00:45:51,720 I don't think I'm ever going to get married. 661 00:45:53,240 --> 00:45:54,080 Quite right. 662 00:45:55,400 --> 00:45:56,560 Ghastly business. 663 00:45:58,520 --> 00:46:00,320 It makes being happy so very difficult. 664 00:46:06,760 --> 00:46:07,760 Oh, what's this? 665 00:46:08,920 --> 00:46:11,400 Oh, it's something I'm working on. A design. 666 00:46:12,080 --> 00:46:13,600 It's fragile, get off. 667 00:46:15,680 --> 00:46:17,040 Mm, sorry. 668 00:46:18,320 --> 00:46:19,160 [TONY CHUCKLES] 669 00:46:19,800 --> 00:46:22,960 Here, come and have a look at this. This might amuse you. 670 00:46:31,080 --> 00:46:33,033 What, people have signed their names? 671 00:46:33,058 --> 00:46:34,624 Well, their nicknames, yes. 672 00:46:35,360 --> 00:46:38,160 - Who's Tigger? - Cleo Laine. 673 00:46:41,160 --> 00:46:43,600 - Snitch? - Dirk Bogarde. 674 00:46:47,240 --> 00:46:49,200 [GASPS] Oh, look. You already have a princess. 675 00:46:49,280 --> 00:46:50,120 [TONY] Mm. 676 00:46:50,400 --> 00:46:51,560 That's Tony Richardson. 677 00:46:53,200 --> 00:46:54,080 Will you sign? 678 00:46:55,640 --> 00:46:57,320 I keep a diamond for the purpose. 679 00:46:58,600 --> 00:46:59,440 Go on. 680 00:47:00,440 --> 00:47:02,480 I'm not sure I've ever had a nickname. 681 00:47:03,640 --> 00:47:04,600 What shall I put? 682 00:47:05,760 --> 00:47:07,960 Something that'll throw them off the scent. 683 00:47:09,040 --> 00:47:09,880 Beryl. 684 00:47:11,200 --> 00:47:12,120 - Beryl? - Mm. 685 00:47:13,720 --> 00:47:14,560 All right. 686 00:47:31,360 --> 00:47:32,560 It rhymes with peril. 687 00:47:38,960 --> 00:47:39,960 Put it back. 688 00:47:44,360 --> 00:47:45,200 Right. 689 00:47:46,840 --> 00:47:49,680 - Shall we look at the photograph? - Yes. 690 00:48:35,000 --> 00:48:35,840 [CLICKS] 691 00:48:45,840 --> 00:48:46,680 Right. 692 00:49:00,920 --> 00:49:01,760 First... 693 00:49:04,280 --> 00:49:05,240 the chemicals. 694 00:49:18,120 --> 00:49:19,573 [MARGARET] You know, when we first met... 695 00:49:19,598 --> 00:49:20,423 Mm? 696 00:49:21,960 --> 00:49:23,760 ...I was sure you were queer. 697 00:49:31,840 --> 00:49:32,680 Why? 698 00:49:34,240 --> 00:49:35,960 Just the way you talked to women. 699 00:49:36,440 --> 00:49:37,760 Understood women. 700 00:49:49,760 --> 00:49:52,920 Then you put it into the water. 701 00:49:56,160 --> 00:49:57,840 - Here? - Mm-hmm. 702 00:50:01,360 --> 00:50:05,920 Not to mention your tidy little hips, your vanity and fastidiousness. 703 00:50:07,320 --> 00:50:08,280 I'm not vain. 704 00:50:10,400 --> 00:50:11,960 You're insufferably vain. 705 00:50:15,320 --> 00:50:16,840 But now I see you're not queer. 706 00:50:19,960 --> 00:50:23,040 Then you put it into the fixer. 707 00:50:28,960 --> 00:50:32,440 This whole routine is far too practiced and well oiled. 708 00:50:34,320 --> 00:50:36,720 Woman after woman has been here before me. 709 00:50:39,440 --> 00:50:40,880 Beautiful women. 710 00:50:42,040 --> 00:50:42,920 [TONY] Mm-hmm. 711 00:50:44,000 --> 00:50:44,840 Then... 712 00:50:51,520 --> 00:50:52,480 we hang her up. 713 00:51:04,760 --> 00:51:05,680 What do you think? 714 00:51:10,080 --> 00:51:12,040 It's a Margaret I've never seen before. 715 00:51:14,360 --> 00:51:17,960 - No one's ever seen before. - No. 716 00:51:20,840 --> 00:51:23,160 Because in this photo, you're not a princess anymore. 717 00:51:28,560 --> 00:51:30,440 There's someone I would like you to send it to. 718 00:51:32,560 --> 00:51:33,880 Can I give you an address? 719 00:51:36,320 --> 00:51:37,160 Sure. 720 00:51:39,360 --> 00:51:41,120 - Then I must go. - Mm. 721 00:51:44,640 --> 00:51:45,680 You, um... 722 00:51:47,280 --> 00:51:48,840 You won't stay a little longer? 723 00:51:50,360 --> 00:51:51,560 No. 724 00:51:52,280 --> 00:51:53,920 This is where the routine ends. 725 00:51:56,320 --> 00:51:57,160 For now. 726 00:51:59,120 --> 00:51:59,960 All right. 727 00:52:01,680 --> 00:52:02,800 Did you come with a driver? 728 00:52:03,720 --> 00:52:05,840 [MARGARET] Yes, he's waiting outside. 729 00:52:06,560 --> 00:52:07,960 Good. Then he can follow us. 730 00:52:20,440 --> 00:52:23,400 [SPEAKING MALAYSIAN] 731 00:52:26,640 --> 00:52:29,040 [INTERPRETER] We are most honored to have been guests 732 00:52:29,120 --> 00:52:31,600 - in Your Majesty's beautiful home. - Ah. 733 00:52:31,920 --> 00:52:35,000 [SPEAKING MALAYSIAN] 734 00:52:39,880 --> 00:52:42,720 [MOTORCYCLE REVVING] 735 00:52:43,320 --> 00:52:44,320 Hold tight. 736 00:52:46,360 --> 00:52:48,080 - [TIRES SCREECHING] - [HORN HONKS] 737 00:53:00,800 --> 00:53:02,473 [ELIZABETH] Thank you so much for coming. 738 00:53:02,498 --> 00:53:03,704 [PHILIP] It's been a pleasure. 739 00:53:04,480 --> 00:53:05,720 Thank you very much. 740 00:53:08,080 --> 00:53:11,200 - God, I thought that would never end. - Yes, it did go on rather. 741 00:53:11,280 --> 00:53:15,440 - On and on and on and on. - [ELIZABETH] Mm. 742 00:53:43,560 --> 00:53:45,120 Definitely not queer. 743 00:53:49,720 --> 00:53:50,703 Keep it. 744 00:54:04,720 --> 00:54:06,800 [THE FLAMINGOS' "I ONLY HAVE EYES FOR YOU" PLAYING] 745 00:54:06,880 --> 00:54:07,880 [EXHALES] 746 00:54:10,320 --> 00:54:14,720 ♪ My love must be a kind of blind love ♪ 747 00:54:18,160 --> 00:54:22,040 ♪ I can't see anyone but you ♪ 748 00:54:24,760 --> 00:54:25,920 ♪ Sha bop, sha bop ♪ 749 00:54:28,880 --> 00:54:29,920 ♪ Sha bop, sha bop ♪ 750 00:54:32,840 --> 00:54:33,840 ♪ Sha bop, sha bop ♪ 751 00:54:37,000 --> 00:54:38,160 ♪ Sha bop, sha bop ♪ 752 00:54:38,240 --> 00:54:39,240 [EXHALES] 753 00:54:40,880 --> 00:54:41,720 ♪ Sha bop, sha bop ♪ 754 00:54:41,800 --> 00:54:46,480 - ♪ Are the stars out tonight? ♪ - ♪ Sha bop, sha bop ♪ 755 00:54:48,560 --> 00:54:49,880 ♪ Sha bop, sha bop ♪ 756 00:54:50,240 --> 00:54:55,240 - ♪ I don't know if it's cloudy or bright ♪ - ♪ Sha bop, sha bop ♪ 757 00:54:55,960 --> 00:55:02,440 ♪ I only have eyes ♪ 758 00:55:03,440 --> 00:55:08,200 ♪ For you ♪ 759 00:55:09,080 --> 00:55:12,200 ♪ Dear ♪ 760 00:55:13,040 --> 00:55:14,000 ♪ Sha bop, sha bop ♪ 761 00:55:14,080 --> 00:55:20,440 - ♪ The moon may be high ♪ - ♪ Sha bop, sha bop ♪ 762 00:55:21,040 --> 00:55:22,080 [SIGHS DEEPLY] 763 00:55:22,160 --> 00:55:28,200 - ♪ But I can't see a thing in the sky ♪ - ♪ Sha bop, sha bop ♪ 764 00:55:28,280 --> 00:55:34,480 ♪ I only have eyes ♪ 765 00:55:35,080 --> 00:55:41,200 ♪ For you ♪ 766 00:55:47,080 --> 00:55:51,040 ♪ I don't know if ♪ 767 00:55:52,040 --> 00:55:58,240 ♪ We're in a garden ♪ 768 00:56:03,640 --> 00:56:09,000 ♪ Or on a crowded ♪ 769 00:56:09,720 --> 00:56:12,280 ♪ Avenue ♪ 770 00:56:18,440 --> 00:56:19,720 ♪ Sha bop, sha bop ♪ 771 00:56:19,800 --> 00:56:21,880 ♪ You are here ♪ 772 00:56:21,960 --> 00:56:22,800 Night. 773 00:56:23,360 --> 00:56:24,200 Goodnight. 774 00:56:24,280 --> 00:56:25,880 ♪ And so am I ♪ 775 00:56:26,680 --> 00:56:27,880 ♪ Sha bop, sha bop ♪ 776 00:56:28,360 --> 00:56:33,240 - ♪ Maybe millions of people go by ♪ - ♪ Sha bop, sha bop ♪ 777 00:56:33,960 --> 00:56:39,040 ♪ But they all disappear ♪ 778 00:56:41,200 --> 00:56:45,360 ♪ From view ♪ 779 00:56:49,840 --> 00:56:56,640 ♪ And I only have eyes ♪ 780 00:56:56,720 --> 00:56:57,720 [EXHALES] 781 00:56:57,800 --> 00:57:01,800 - ♪ For you ♪ - ♪ Sha bop, sha bop ♪ 782 00:57:01,880 --> 00:57:03,440 [MACMILLAN] Good gracious! 783 00:57:04,160 --> 00:57:05,160 ♪ Sha bop, sha bop ♪ 784 00:57:08,160 --> 00:57:09,360 ♪ Sha bop, sha bop ♪ 785 00:57:16,360 --> 00:57:18,000 Oh là là! 786 00:57:18,800 --> 00:57:19,960 [CHUCKLING] 787 00:57:20,560 --> 00:57:21,843 Mm-mm. 788 00:57:29,200 --> 00:57:30,120 [TYPEWRITER PINGS] 789 00:57:32,160 --> 00:57:34,200 [TYPEWRITER CLICKING] 790 00:57:35,800 --> 00:57:36,920 [GROANS] 791 00:57:38,960 --> 00:57:40,040 [CURTAINS OPENING] 792 00:57:49,960 --> 00:57:52,160 - There you are. - Finally. 793 00:58:02,160 --> 00:58:04,080 - Oh, I say. - What is it? 794 00:58:20,440 --> 00:58:21,280 It appears she's... 795 00:58:21,360 --> 00:58:22,200 Naked. 796 00:58:24,800 --> 00:58:25,640 Yes. 797 00:58:36,040 --> 00:58:37,040 [PHILIP CHUCKLES] 798 00:58:38,273 --> 00:58:46,374 Synced and corrected by -robtor- www.addic7ed.com